A visit to the Servins in Santa Clara, Michoacan, Mexico - January 2015

Members of the Servin family have been weaving for decades in rural Michoacan, Mexico. One of the elders, Jose Servin said he has been weaving for thirty- five years. I’m not sure if his was the first generation to weave wool rugs and serapes in a traditional style or if earlier generations had been involved in the craft. Jose is a warm, receptive and generous man and welcomed us with open arms.

Ricardo, Juan, Andy, & Jose 

This was perhaps my fifth or sixth visit to the Servin compound, where many looms are in use. Jose’s brother Victoriano was the first in the family to begin producing amazing tapestries of my images in 2011.

Victoriano has since stopped making these tapestries for health reasons but his son, twenty-seven-year-old Ricardo, and Jose’s son, Juan, also in his late twenties, continue to produce these stunning weavings.

Juan Servin at work on a tapestry

Both Ricardo and Juan first became involved in the process at less than ten years old.  We have developed friendships based on this collaboration, in which we are thankful for each other in the mutual production of images and the weavings made from them.

This visit was particularly meaningful for me as this was the first time I met Juan, a really warm and friendly man, who has produced a number of world class tapestries of my images, and also the first time my wife Susan was able to visit the Servins.

Ricardo Servin working on "Entwined" tapestry

Both Juan and Ricardo had four-to-five-foot-wide pieces on the loom in progress and were more than happy to demonstrate the mysterious (to me) process in which they weave the images without the aid of diagrams, computers, or images behind the loom.

Sometimes Juan draws on the warp. They work from 8½ x11 inch print-outs of the images I send, starting at the bottom and working up, rolling the weaving up under the loom as they go, never seeing the whole until they are finished.  It is really quite something to witness.

Ricardo showing the printout of Entwined that he works from

The process is very physical, done standing, and takes a tremendous amount of concentration. From the beginning I have stressed to the weavers to interpret the images and colors to adapt to their process so that it is more than just work for them. On this visit Ricardo said he has been honored to be making these tapestries.

A detail of the tapestry 

I fully intend for these pieces to hang on the wall like paintings. I am also honored to work with such dedicated and highly talented artisans. My bond with these amazing craftsmen was further deepened during this visit. Their family compound is located on the outskirts of Santa Clara del Cobre, an important town in the mountains of Michoacan, highly regarded for the production of copper ware.

This collaboration would not exist without a third partner, Ruth Mitchell de Aguilar, who lives in nearby Patzcuaro and has worked with the Servins for years procuring the wool for them and doing a fantastic job of dyeing all of the wool (some of these tapestries have over thirty colors). She and her husband Sabino also built the looms used by the Servin family.

It is my hope that we can continue to work together far into the future. The images I have created for the tapestries have influenced and become part of all of my artmaking in other media. I am indebted to Ricardo, Juan, and Ruth for being willing to continue working with me on this creative journey.

Andrew Saftel, Patzcuaro, Michoacan, Mexico, January 2015

Fruits of the World Exhibit in Mexico

I'm very excited to announce a new exhibit opening tomorrow (October 25th) at the Centro Cultural Antiquo Colegio de Jesuita in Patzcuaro, Mexico. The show, called Fruits of the World, includes woodcut prints, drypoint etchings, watercolor and other mixed media pieces as well as a selection of tapestries created through a collaboration with Mexican weavers.

I currently have a studio in Patzcuaro, Michoacán, Mexico but I first visited the area on vacation in 2009. I returned to the Jesuit Cultural Center through a grant from the Tennessee Arts Commission to hold a printmaking workshop.

The new exhibit will include many of the prints created at the workshop, including "La Frontera," a work whose title means the border and explores the cultural, social, and political issues surrounding the border between Mexico and the United States.

The Fruits of the World exhibit also includes a series of hand-woven, custom-dyed woolen tapestries. The imagery depicted in the weavings is mine, but the execution of the designs has been undertaken by local area master weavers.

As an artist and inventor of images created in diverse mediums, I constantly seek collaborators and defer to other's skills and different levels of interpretation of my images. I encouraged the weavers to take liberties with aspects of the imagery and color, so this process became a collaboration between us.

It is not merely a reproduction of the images I drew, but an interpretation of them in wool; grown, dyed and woven in Michoacán, Mexico.

I requested that the weavers sign their creations alongside my own signature, something they had never been given the opportunity to do. I plan to honor their contribution at the exhibit when the tapestries are on display for the first time.

To see the brochure for this exhibit, please click here.